Malcolm's Musicland is currently closed for the holidays so to book tickets we're opening up the Theatre box office on the following times:

Friday 7th August - 11am - 1pm

Saturday 8th August - 11am - 1pm

Monday 10th August - 11am - 1pm

Plus of course you can always book online 24/7.


Chorley Amateur Dramatic and Operatic Society (CADOS) have launched their new season of plays, which presents a selection of plays all by writers born in the North of England.

The “Northern Lights” season, which starts in September, comes on the back of one of the Society’s most successful seasons ever.

Chairman Ian Robinson said, “The last CADOS season sold nearly 9000 tickets, which is the most for at least a decade and possibly further back. It’s a lot of hard work so we’d like to thank everyone for coming to our productions, and hope people continue to support us – we’ve got a great lineup coming soon.”

The Season opens on 7th September with Willy Russell’s popular play Educating Rita, about a working-class girl who goes to University and her relationship with her tutor there.

CADOS Artistic Director Mark Jones said “Amazingly, we’re never performed this great comedy before so it’s a great way to start the run.”

“We came up with the theme and invited directors to take on the productions, so I’m delighted with the response. CADOS shows are the heart of the theatre so our job and passion its to make sure that it’s beats stronger than ever.”

October’s play is stag-night comedy Fur Coat And No Knickers by Mike Harding, and December’s Pantomime is an all-new version of Aladdin full of family fun.

In February it’s the classic tale of a daydreamer, Billy Liar, then in April the Alan Bennett play Habeas Corpus is full of comic misunderstandings and mistaken identity.

The season rounds off with Mark Jones’ specially-commissioned Pals, all about the Chorley soldiers at war one hundred years ago.

In addition to all this there’s a modern-day musical version of Pride & Prejudice in May, entitled I Love You Because, which is not part of the regular season.

Tickets for all these shows are on sale now from Malcolm’s Musicland 01257 264362. More details and online booking is available via the links on this page.

Book for an entire Season! For just £39 (saving up to £11) you can get ticket for all the shows. Simply pay via the button below and let us know your preferred date and seat (we'll do our best to get you as near to those choices as possible)



Play written by Mike Harding.
Directed by Kath Ashworth. 01204 699156
Produced by Karen Thompson 01257 277201
Performance Dates: Monday 19th - Saturday 24th October, 7.30pm

Read Through Tuesday July 21st at 7-30
Auditions Sunday July 26th starting at 11am

Synopsis:     Set in the 70s era

Deirdre Ollerenshaw an upwardly mobile working class girl, is set to marry her fiancée Mark Greenhalgh The scene is set on the eve before her wedding. Mark is the none too bright son of working class man made good, Ronald Greenhalgh and his snobbish wife Muriel. Muriel has with the help of her husband moved up in the world and looks down on the Ollerenshaws. The Ollerenshaws  are a working class family made up of a variety of different characters, who can be coarse and swear a lot. Grandad Nip is an old rogue who is a willing helper in all the mayhem. We have an rugby playing best man and a alcoholic priest and a variety of other people they meet along the way. The scenes are set before and after the wedding.

Director Kath Ashworth previously directed the sell-out Mike Harding play Comfort & Joy in 2013.

Character synopsis.
There are a few extras some with lib and some without, they can audition with a principle  audition piece, age not a factor for some parts. Interested people can be considered without audition.

Edith Ollerenshaw  Age 40+ Down to earth working class woman, no airs and graces. Some swearing.
Harry Ollerenshaw   Age 40+ Working class, proud to be British some racist comments, not too bright at times. Some awearing.
Keven Ollerenshaw  Age 20+ Brother of the bride working class Jack the lad, swears a lot.
Deirdre Ollerenshaw  Age 18+ Working class but wants to rise socially in the world.
Peter Ollerenshaw  Age 20+ Brother of the bride working class would be intellectual, right wing attitudes.
Nip   Age 60+ Edith’s dad, an old rogue, coarse  swears a lot.
Mark Greenhalgh  Age 20+ The groom, none too bright, spoilt by his parents into an upper middle class lifestyle.
Hamish  Age 20+ Rugger playing best man upper middle class attitude.
Father Molloy  Age 50+ Alcoholic, Irish, completely eccentric.
Muriel Greenhalgh  Age 40+ Mother of the groom. Working class snob looks down on others only in Act 2.
Ronald Greenhalgh   Age 40+ Father of the groom. Working class man made good, hen pecked but a nice man.

Small roles

Jimmy Peters friend age 20+ right wing anti every thing some lib.
Man in club Age 40+ brief funny conversation with Father Molloy which makes no sense at all.
Stripper willing to wear skimpy costume and dance.
Bridesmaids 2 age 18+ some lib.

The view of Chorley Empire Community Cinema...

You may have seen Chorley Council has proposed a multi-screen cinema for the Flat Iron market. The 6-screen cinema will be part of a retail and restaurant complex extending from the "Iceland" end of Market Walk.

The cinema will be operated by Reel, who have experience of town-centre cinemas, and feature screens ranging in size from 60 seats to 170 seats. This means Chorley Little Theatre will still have the biggest auditorium in town.

However, this does probably mean Chorley Empire Community Cinema will cease to exist in it's current form. The council planning application has tried to make out that the Reel cinema will be showing different content to us, but we find it highly unlikely they will not be showing The Theory of Everything, Imitation Game, Paddington, Gravity, Skyfall, Frozen, or other similar films we have shown in the last few years. It's just they'll be showing them slightly earlier than us. They also show event cinema, just like us.

We would probably have to show niche art films or classics, but in our experience this is unsustainable in Chorley. CECC was formed in 1986 as Chorley Film Society when the Plaza on Bolton Road closed down. The idea was to show films in Chorley until a new cinema came along - we didn't expect it to take 30 years! 1986 was the lowest year for UK cinema admissions, whereas 2015 is on course to be the 2nd or even 1st best since World War II. It's a good time to open a new cinema and we wish Reel well.

It's just the idea that we'll be showing different films to them (as the planners want people to think) is wrong. We don't even know what they're showing and the prices they'll charge!

More broadly, the idea of a unit that brings people into Chorley is to be welcomed, especially if it boosts the night-time economy. If people go for a meal at, say, Nando's then head to Chorley Little Theatre that's great. As long as the council make visitors aware there is more to Chorley than Market Walk (we'll be trying our best).

For now, Chorley Empire Community Cinema will carry on as usual and will soon announce the Autumn 2015 season. When (or if) Reel opens in late 2016 or early 2017 we'll have to see what happens.

In other film news, there will be no children's films this Summer due to a) wanting some time off, and b) building work improving Chorley Little Theatre for next season. Enjoy the summer!


SUNDAY 19th July - 1pm, Chorley Little Theatre

Written by Willy Russell
Directed by Dave Reid

Performance dates 7th - 12th September, 7.30pm

The Rehearsals

Tuesdays (8-10pm), Fridays (8-10pm) and Sundays (12-4pm) – full rehearsal schedule will be issued once the play has been cast.

The Play

You’ve seen the film so you know what it’s about!

The film has many locations to drive the narrative, but the play script is stuck in a single location. This means that the acting becomes paramount.

It’s a two-hander – Rita, the frustrated wife who married too young and wants a new life and Frank, the university teacher who married for the wrong reasons and wants a new life but deep down knows it ain’t going to happen.

There’s a lot of lines to learn for both actors, but there’s a great opportunity to produce an engaging and tragic-comic performance.

The Auditions - Interested?

There is no preparation to do before the audition – audition pieces will be handed out on the day.

The Roles

Rita (F) - 25-40
Must be younger than whoever we cast as Frank and must have a convincing scouse accent. She’s lively, funny and has few social inhibitions. Her strength comes from the belief that “life must be better than this.” Her conflict comes from her loyalty to class and family that she was brought up with.

Frank (M) 45+
Must be older than whoever we cast as Rita!!! Intellectual, apparently confident and professional, but ultimately sad and lost. His strength is his mind, but that’s slowly being pickled with alcohol and regret. His weakness is the eternal sense of “what might have been?” and “is too late?”


The Process:

Rehearsals will involve detailed characterisation work and intense study of timing and delivery. As it’s a two-hander there’s no room to take a breather – you’re in every scene, so it’s a great acting challenge. The play is very funny, but the comedy will only work if the characters are fully rounded and totally believable. The stage setting will be highly stylised, but the acting has to be totally realistic and believalble.

Fancy a challenge?

If anyone has any questions or queries do not hesitate to contact me – 07875096537 or email This email address is being protected from spambots. You need JavaScript enabled to view it.