Star in this year's Panto!
Actors 10am, Dancers 2pm - see below for details.
Audition Date: Sunday 13th September
Production Dates: Friday 11th - Saturday 19th December 2015
Directors: Andy Burke & Steven Catterall
Writer/Musical Director: Paul Carr
Producer: Ian Robinson
Choreographer: Rebecca Dickinson
Costume: Sandra Dickinson
Stage Manager: Alex Delaney
If you would like to join the crew in any capacity, please let us know! Particularly interested in anyone over 16 who wants to set-paint, build and find unusual props, and operate puppets.
The CADOS Pantomime is the biggest show in Chorley and we pride ourselves on delivering a very high standard of production every year. The Panto has been a sell-out for 4 years in a row.
Although this is their directing debut Andy Burke and Steven Catterall have appeared in the last 4 and 3 pantos respectively and have a long history with CADOS. Both have been NODA Award nominess/winners several times. Paul Carr wrote/directed Santa The Panto and Elves and the Shoemaker, while Producer Ian Robinson directed Robin Hood and Snow White. The rest of the crew have all worked on CADOS pantos in recent years.
The traditional panto story of Aladdin, set in China and full of familiar elements. Aladdin is a street urchin who falls in love with the Princess, but her father the Emperor will never let them marry. Aladdin lives with his mother Widow Twankey and his brother Wishee Washee at their washing business. When the evil Abanazar sends Aladdin after a magic lamp, everything changes.
Full of groan-inducing jokes, wordplay, slapstick, songs and dances this is very much the traditional panto but with plenty of pace and energy, using special effects, video sequences and puppets.
ACTORS - 10am
Cast List - all these parts are up for grabs
in order of appearance – 5 (4) Male 3 (4) Female with 2 of either and chorus. All cast to be 16 or over.Abanazer (M) An evil wizard who wants to find Aladdin and use him to get the magic lamp from the cave of wonders for his evil scheme. Solo song
PCs Wing and Wong (M/F) Chinese Policemen comedy duo.
Emperor Ying (M/F) The Emperor(ess) of Peking and father of Princess Willow. Stuck in tradition and trying to find a Prince to merry his daughter.
Princess Willow (F) Principal girl. Pretty and princess like will one day inherit the throne and become Empress.In love with Aladdin but being forced to marry a prince. Singing and some dance.
So-Shy (F) Princess Willow'slady in waiting and best friend very loyal.
Aladdin (F) Principal Boy. Son of widow Twankey and Wishees brother.A street wise boy who has his sights set on higher things. The hero of the story. Singing and dancing
Wishee-Washee (M) Aladdins brother and son of Twankey. Comedy role lots of slap stick.
Widow Twankey (M) Mother of Aladdin and Washee panto Dame runs a laundry in Peking. Singing and dance
Genie (M) Magical being who lives in the lamp and grants wishes. Good comedy vocal role. Singing.
DANCERS - 2pm
Date: 13th September 2015
Time: 2pm start (Registration from 1.30pm)
We are looking for dancers aged 5 and over to dance, sing and act as part of the chorus in this years pantomime.
The auditions will include being taught a short routine and then performing this routine for your place in the cast.
Dancing experience is required; prior formal training is not essential although preferable.
Please check your availability for performance dates before auditioning, as anyone unable to perform on any of the set dates, may not be considered.
For more information please contact Rebecca Dickinson (Choreographer) on 07521 977707.
SHERLOCK HOLMES: THE FINAL PROBLEM AUDITIONS
Producer Rebecca Dickinson
Auditions on Sunday 8th March 2015– at 1pm, at Chorley Little Theatre
Mon 15-Sat 20 June 2015 (inclusive) – at Chorley Little Theatre
Tuesdays (8-10pm), Fridays (8-10pm) and Sundays (12-4pm) – full rehearsal schedule will be issued once the play has been cast.
Based on the Sir Arthur Conan Doyle short stories ‘Scandal in Bohemia’ and ‘The Final Problem’.
This production is a follow-up (not a sequel) to the 2013 production of ‘Hound of the Baskervilles’. It contains many of the same characters and has a similar feel in regards to the humour and style. The play is set in 2015. The world needs Sherlock Holmes now, more than ever! The first half of the play (based on ‘Scandal in Bohemia’) introduces us to the modern courtesan – Irene Adler. Adler owns a high class escort club in London and knows some very powerful people. She becomes concerned about her own welfare, and therefore records the ‘pillow talk’ she has had with two of her clients. She then sends a message to the British government warning them that she will publish the recordings on Facebook if anyone tries to harm her. A central figure within her majesty’s secret service, Mycroft Holmes, visits 221b Baker Street to employ his brother Sherlock to retrieve the phone owned by Miss Adler, which contains the two recordings. Sherlock retrieves the recordings. However, both Mycroft and Sherlock from the beginning are aware that there is a greater force behind Miss Adler’s actions.
The second half of the play (based on ‘The Final Problem’) sees Sherlock attacked, shot at and hunted down. Soon the hunted becomes the hunter as he, along with Watson, Mycroft and Lestrade unlock a web of evil and makes connections between all the terror cells within the world. Eventually we discover that behind all the evil is Sherlock’s arch-enemy - Professor James Moriarty. In tracking down and destroying Moriarty, Sherlock will eliminate evil from the world. Achieving this however, may require the ultimate sacrifice. Throughout the play we meet a number of key characters who warn Sherlock and open him up to a world of sex, intrigue and mortality. The play deals with a number of key adult issues which affect the current world we live in.
This will be my 10th production for CADOS, following on from ‘Breaking the Code’ (2014); ‘Hound of the Baskervilles’ (2013), ‘Memory of Water’; ‘Oliver Twist’ (both 2011), ‘Blood Brothers’ (2010) ‘A Midsummer Night’s Dream’ (2007), ‘Amadeus’, ‘Half a Sixpence’ (both 2005) and ‘Great Expectations’ (2004).
The Auditions - Interested?
There is no preparation to do before the audition – audition pieces will be handed out on the day.
As this is a follow-up to my 2013 production I have invited a number of people to re-enact their roles – these are:-
Sherlock Holmes – Dave Reid; Mrs Hudson – Siobhan Edge; Inspector Lestrade – Kath Townsend
However, we are looking for a new Watson, as our previous one has emigrated to the far east. Most of these roles (apart from Watson) are small in terms of time on stage but are very key to the overall success of this production! In this play, character is everything! I am looking for people that are good actors and can work with a director to build a convincing character.
Character Gender Age Range Detail of character
John Watson M 20-30
Appears in 9 of the 14 scenes. He constantly bickers with Sherlock – they are like an old married couple. It is Watson who keeps Holmes grounded. Since ‘Hound’ he has married Miss Morstan and set-up in private practice as a GP. Watson teaches Holmes all about social media and comes back to help him to solve this final case. I am looking for a strong actor with recent stage experience. The age range is strict.
Mycroft Holmes M 45+
Appears in 3 key scenes. Mycroft is Sherlock’s older brother who works at the centre of the UK’s secret service. He employs Sherlock to work on the case, and whilst there is a healthy dis-regard for each other, by the end we witness the true love that exists between the brothers. The age limit is strict, ideally would prefer someone in their mid-50s but accept that someone younger could pull off this age range as well.
Irene Adler F 20-40ish
Appears in 3 key scenes. She is the ‘femme fatale’, a modern courtesan who mixes with the worlds rich and powerful. She is sensual and always in control. For this part I need an experienced actress who is not afraid to describe adult themes.
The Woman in a Niqab F 20-30
She appears in one key scene with Sherlock, where she warns him of the dangers of mixing with Irene Adler. She has worked as one of Adler’s girls, but one night she refuses the perverted request of one of her clients. Her defiance leads to her brother being killed. This is a major scene in the play. The actor will undertake the whole scene in a Niqab. This part could be doubled up with either Elena or Irene Adler.
Elena F 20-30
Two key scenes. She is one of Adler’s girls at the ‘gentleman’s club’. She acts as host to Sherlock and Watson who appear at the club in disguise. In this scene the character wears lingerie (no nudity though). In the second scene she appears with Sherlock in a key piece where she tries to tip Sherlock off as to who the men in the recordings are. She is shot before she can reveal their names. This part requires the ability to perform with a Czech accent.
Moriarty M 45+
Appears in one scene – the key scene towards the end of the play. Moriarty is the villain and appears in the verbal duel with Sherlock at the Reichenbach falls. Needs a strong actor to undertake this role. The age limit is strict, ideally would prefer someone in their mid-50s but accept that someone younger could pull off this age range as well.
Banker M any but at least 25+
Appears in the prologue with Sherlock, a short scene in which Sherlock discovers the banker’s plot. This part can also be doubled up with the ‘masked man’ (non-speaking), who appears in two other scenes.
If anyone has any questions or queries do not hesitate to contact me – 07877 111 248
Mark Jones, Director
Steel Magnolias AUDITION
Audition: Sunday 9th November, 2.30pm (Registration from 2pm)
Performance dates: Monday 23rd - Saturday 28th February 2015, 7.30pm
The action centres on Truvy's beauty parlour and the women who regularly gather there. The story begins on the morning of Shelby's wedding to Jackson and covers events over the next three years, including Shelby's decision to have a child despite having Type 1 diabetes and the complications that result from the decision. There is also a glimpse of the unlikely friendship between Clairee and Ouiser; Annelle's transformation from a shy, anxious newcomer in town to a good-time girl and then to a revival-tent Christian; and Truvy's relationships with the men in her family. Although the main storyline involves Shelby, her mother M'Lynn, and Shelby's medical battles, the underlying group-friendship among all six women is prominent throughout.
*A deep southern American accent is essential for all characters*
Truvy: (35 - 55yrs) owner of a small town beauty shop. She knows everyone’s business and shares it with anyone who will listen. Southern Belle. She always has advice for you, and they often come in the form of country sayings.
Annelle: (20 - 35yrs) very shy hair-dresser. She goes from a very soft-spoken person to a bible-loving Christian with her heart on her sleeve.
Clairee: (50 – 70yrs) widow of the former mayor of Chinquapin. She is wealthy and also knows everyone’s business. She is the sarcastic member of the group. She loves to laugh and poke fun at the little things that others cry over. She is very close with Ouiser.
Shelby: (20 – 35yrs) diabetic young lady. Prettiest girl in town, and loved by all. She has a weird relationship with her mother, and often rebels just for the sake of rebellion.
M’Lynn: (35 – 55yrs) mother of Shelby. She is over-protective at times and finds the need to have a firm grasp on the world at all times. She is a busy woman who worries too much for her age.
Ouiser (pronounced Weezer): (50 – 70yrs) she is a wealthy old bitty. She is a loveably miserable lady, though. Her unique personality and sense of humour is a great relief in the serious scenes. She is very close to Clairee.
Radio DJ: Male, any age, vocal recordings only. “Fatuous and self-possessed”. Not required for performances as all pre-recorded in advance.
All ages are approximate.
Please bring any dates of holidays booked to the audition. You must be available for all show dates and the two weeks prior to the show to be considered for a part.
Books down 4 weeks before opening night- 25/01/15.
'OUR DAY OUT' AUDITION
Directed by Kate Burke, Produced by Kath Townsend
Performance Dates: Monday 20th- Saturday 25th April 2015
'Our Day Out' is a fantastic and hilarious play with music by Willy Russell. Written in the 70s but as fresh as ever, the audience follows the escapades of the loveable "progress class" and their teachers on a school trip to Conwy Castle. Plenty of sweets and a few zoo animals later, the children and teachers find they have a lot to learn from one another.
Mrs Kay- (F) 35+ : experienced, caring and popular teacher who is in charge of the Progress Class. She is understanding of her pupils' circumstances and strives to make their school lives enjoyable. Liverpudlian/Local accent preferred.
Mr Briggs- (M) 30+ : strict deputy head teacher who prefers the traditional methods of his profession. Order and control of himself and others are of the most importance. His reputation precedes him. Non-local accent.
Colin- (M) 20-30: a young, bright teacher who finds himself feeling very uncomfortable with the levels of attention some of the girls in the class are paying him. A genuinely caring and intelligent man. In a relationship with Susan.
Susan- (F) 20-30: newly qualified teacher. Down to earth, Susan has her head screwed on but is always able to think outside the box to solve problems. Her attractive and bright attitude mean the older boys in the class take particular interest in her, but it doesn't phase her.
Bus Driver- (M) 25+ : a simple, occasionally gullible man who takes his job in transportation very seriously but also has a fun side.
Headteacher- (M/F) 30+ : distrusts the progress class to go on a trip without supervision of Mr Briggs. Very small part, could be multi-rolled if necessary.
Shopkeeper- (F) 40+ : Lady who owns a small business visited by the children. Comedic role, distrustful of school parties and stressed to the hilt.
Zoo Keeper- (M/F) 20+ : Very small potential multi role part.
Les (M) 50+ : "very old, almost blind and can hardly walk" friendly lollipop man, knows the children well.
The audition for adult roles will be on THURSDAY 29th JANUARY at Chorley Little Theatre. Registration will open at 7pm and auditions will begin at 7:30. Audition pieces will be provided. PLEASE PREPARE A SONG of any genre that is no more than 1:30 in length. Extracts of longer songs is fine.
Various school children (M/F) 13-16: the minimum age for auditionees is 11. Anyone who is older than high school age is welcome to come and audition on the basis that they look young enough to be at high school. The children will have a strong local accent.
The youth audition will be on SATURDAY 31ST JANUARY at Chorley Little Theatre. Registration will begin at 10am and the audition will commence at 10:30. Please note if you are under 16 a parent is required to stay for the duration of the audition.
IF ANYONE CAN PLAY A MUSICAL INSTRUMENT TO A REASONABLE STANDARD (GRADE 4+) PLEASE LET US KNOW ON THE AUDITION FORM.
PLEASE PREPARE A SONG of any genre that is no more than 1:30 in length. Extracts of longer songs is fine. You will be split into groups and asked to work on a short scene which will be performed as your acting audition. The script will be provided on the day.
Eating Raoul AUDITION
EXTRA Audition: Wednesday 3rd December at 9 Kensington Road, Chorley, PR7 1LU
Performance dates: Thursday 7th, Friday 8th, Saturday 9th MAY 2015, 7.30pm
Musical Director – Karl Pendlebury Director – Barry Callander
Choreographer – Mark Haughton
Those wishing to audition will be expected to sing a song of their own choice.
Hear samples of the songs at the Samuel French website: http://www.samuelfrench.com/p/1275/eating-raoul
is a twisted tale of the American dream. Based on the 1982 cult-classic film, Mary and Paul Bland want to open a restaurant and go to extreme lengths to make their dream a reality. In a desperate and murderous effort to obtain cash, the Blands lure swingers into their apartment, snatch their money and kill them. As the cash pile grows, so does the pile of dead bodies. Devious janitor Raoul offers a solution for a cut of profit. But can this partnership continue for long?
Hailed as "the most entertaining musical about sex and cannibalism around" by Back Stage West and "Fun" by the Los Angeles Times, Eating Raoul explores the journey to the American dream in a uniquely homicidal way. The show opened off-Broadway in 1992 with a book by Paul Bartel and music and lyrics by Jed Feuer and Boyd Graham.
Principal Characters (ages 20-40ish)
Mary Bland – very pretty, unconsciously sexy in a naïve sort of way.
Paul Bland – prematurely balding, somewhat overweight and hopelessly square but sincere, tenacious and loveable.
Raoul – a sexy young Latino with a weakness for girls and a talent to match his ego.
Company (ages 20-60ish)
Other characters (played by members of the company, doubling-up possible)
The Raoulettes (Gladys and Inez) – two knockout, if slightly sluttish, young chicas. All boobs, butt and tongue.
Donna the Dominatrix – a kinky bundle of energy with a voice as big as all outdoors; at home a sweet young housewife and mother.
Dr Doberman – an officious lecher.
Mr Kray – fat and mean.
Mr Leech – an oily, smooth-talking womaniser.
Meter maid – hip and bored with it all.
Howard – bad taste incarnate, who thinks he’s hip.
James – always smiling, would say or do anything to make a sale.
Bobby – an obsessive case of arrested adolescence.
Junior – a rotund gourmand.
Yolanda – a former star of a certain age. Heavy Latino accent.
Ginger – built like a rugby player but dresses like Ginger Rogers – and can dance like her too.
Plus - Tourists, Swingers, Stick-up man, etc
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