CADOS Present:

Eating Raoul AUDITION

EXTRA Audition: Wednesday 3rd December at 9 Kensington Road, Chorley, PR7 1LU

For details, contact Barry Callander on 07947 874467 or This email address is being protected from spambots. You need JavaScript enabled to view it.

Performance dates: Thursday 7th, Friday 8th, Saturday 9th MAY 2015, 7.30pm

 

Musical Director – Karl Pendlebury Director – Barry Callander

 

Choreographer – Mark Haughton

 

Those wishing to audition will be expected to sing a song of their own choice.

Hear samples of the songs at the Samuel French website: http://www.samuelfrench.com/p/1275/eating-raoul

Synopsis

Eating Raoul is a twisted tale of the American dream. Based on the 1982 cult-classic film, Mary and Paul Bland want to open a restaurant and go to extreme lengths to make their dream a reality. In a desperate and murderous effort to obtain cash, the Blands lure swingers into their apartment, snatch their money and kill them. As the cash pile grows, so does the pile of dead bodies. Devious janitor Raoul offers a solution for a cut of profit. But can this partnership continue for long?

Hailed as "the most entertaining musical about sex and cannibalism around" by Back Stage West and "Fun" by the Los Angeles Times, Eating Raoul explores the journey to the American dream in a uniquely homicidal way. The show opened off-Broadway in 1992 with a book by Paul Bartel and music and lyrics by Jed Feuer and Boyd Graham.

 

Principal Characters (ages 20-40ish)

Mary Bland – very pretty, unconsciously sexy in a naïve sort of way.

Paul Bland – prematurely balding, somewhat overweight and hopelessly square but sincere, tenacious and loveable.

Raoul – a sexy young Latino with a weakness for girls and a talent to match his ego.

 

Company (ages 20-60ish)

Other characters (played by members of the company, doubling-up possible)

The Raoulettes (Gladys and Inez) – two knockout, if slightly sluttish, young chicas. All boobs, butt and tongue.

Donna the Dominatrix – a kinky bundle of energy with a voice as big as all outdoors; at home a sweet young housewife and mother.

Dr Doberman – an officious lecher.

Mr Kray – fat and mean.

Mr Leech – an oily, smooth-talking womaniser.

Meter maid – hip and bored with it all.

Howard – bad taste incarnate, who thinks he’s hip.

James – always smiling, would say or do anything to make a sale.

Bobby – an obsessive case of arrested adolescence.

Junior – a rotund gourmand.

Yolanda – a former star of a certain age. Heavy Latino accent.

Ginger – built like a rugby player but dresses like Ginger Rogers – and can dance like her too.

Plus - Tourists, Swingers, Stick-up man, etc

 

 

 

CADOS Present:

Steel Magnolias AUDITION

Audition: Sunday 9th November, 2.30pm (Registration from 2pm)

Performance dates: Monday 23rd - Saturday 28th February 2015, 7.30pm

 

Synopsis

The action centres on Truvy's beauty parlour and the women who regularly gather there. The story begins on the morning of Shelby's wedding to Jackson and covers events over the next three years, including Shelby's decision to have a child despite having Type 1 diabetes and the complications that result from the decision. There is also a glimpse of the unlikely friendship between Clairee and Ouiser; Annelle's transformation from a shy, anxious newcomer in town to a good-time girl and then to a revival-tent Christian; and Truvy's relationships with the men in her family. Although the main storyline involves Shelby, her mother M'Lynn, and Shelby's medical battles, the underlying group-friendship among all six women is prominent throughout.

*A deep southern American accent is essential for all characters*

Truvy: (35 - 55yrs) owner of a small town beauty shop. She knows everyone’s business and shares it with anyone who will listen. Southern Belle. She always has advice for you, and they often come in the form of country sayings.

Annelle: (20 - 35yrs) very shy hair-dresser. She goes from a very soft-spoken person to a bible-loving Christian with her heart on her sleeve.

Clairee: (50 – 70yrs) widow of the former mayor of Chinquapin. She is wealthy and also knows everyone’s business. She is the sarcastic member of the group. She loves to laugh and poke fun at the little things that others cry over. She is very close with Ouiser.

Shelby: (20 – 35yrs) diabetic young lady. Prettiest girl in town, and loved by all. She has a weird relationship with her mother, and often rebels just for the sake of rebellion.

M’Lynn: (35 – 55yrs) mother of Shelby. She is over-protective at times and finds the need to have a firm grasp on the world at all times. She is a busy woman who worries too much for her age.

Ouiser (pronounced Weezer): (50 – 70yrs) she is a wealthy old bitty. She is a loveably miserable lady, though. Her unique personality and sense of humour is a great relief in the serious scenes. She is very close to Clairee.

Radio DJ: Male, any age, vocal recordings only. “Fatuous and self-possessed”. Not required for performances as all pre-recorded in advance.

All ages are approximate.

Please bring any dates of holidays booked to the audition. You must be available for all show dates and the two weeks prior to the show to be considered for a part.

Books down 4 weeks before opening night- 25/01/15.

For further information contact Rebecca Dickinson (Director) on 07521 977707 or 01257 230296. This email address is being protected from spambots. You need JavaScript enabled to view it.

 

‘Chatroom’ and ‘Disco Pigs’

By Enda Walsh

Directed by Robert Walsh; Produced by Mark Jones

Production Dates – Thursday 13th November to Saturday 15th November at Southlands High School

Audition Notice

The audition will take place at Chorley Little Theatre on Sunday 29th June, starting at 2:00pm. The production itself will be performed at ‘Southlands High School, Chorley’ on the above dates. This is our first venture away from Chorley Little Theatre and therefore will be an exciting opportunity for the theatre to perform in the local community at Southlands.

Both plays are brilliantly written one act plays by Northern Irish playwright Enda Walsh (no relation). Stylistically they are completely different. ‘Chatroom’ is essentially six actors sat on chairs facing the audience for the majority of the play, with beautifully written dialogue that is both hilarious and disturbing. It tells the story of six insecure, troubled yet mostly innocent teenagers who let the mask of online discussion push a deeply damaged boy into potentially killing himself.

In contrast, ‘Disco Pigs' is a heavily stylised and obscure play which follows a dangerously intense relationship between two childhood best friends. It is dark, funny and highly emotional with unique and challenging dialogue.

What links the plays together, as well as the writer, is that they are both about troubled teenagers. Both plays are extremely unique and brilliant in their own way yet have a similar emotional core. They are highly intense and emotionally challenging that demand great young actors to get their teeth stuck into them!

Rehearsals will take place at Chorley Little Theatre in the bar/rehearsal room to mimic the size of the intimate performance space at Southlands. Initial character building workshops will take place twice a week in July, with potential filming for the ‘Chatroom’ cast to also take place at that time. No rehearsals in August (as the stupid director won’t be in the country) with full rehearsals starting in September till show time.

Please note that the characters in Chatroom are 15 and the characters in Disco Pigs are 17. However when I performed these plays the actors were aged from 15-22, so as long as you look around those ages come and audition!

The Roles

Chatroom

Jim (M) – Jim is very much the emotional centre of the play. Abandoned and abused by his family and with no close emotional bonds to lean on, he is very open about his emotions online. A very demanding part which requires an actor with vast emotional depth.

William (M) – Extremely intelligent, manipulative and calculating, William is a twisted person who clear enjoys pushing and controlling the emotions of Jim. He is also very funny in a dark way. Again, this part needs a skilled actor with great comic timing and the ability to be hated yet not a villain.

Eva (F) – Eva is as manipulative as William but her intentions aren’t quite as calculating, she’s just a bit mental. A bizarre, disturbing yet hilarious part that demands an actress with a strong emotional range and great comic timing.

Laura (F) – Laura is initially a difficult character to read, a vacant and direct character who later in the play becomes an emotional rock for Jim. Needs an actress with strong emotional depth.

Emily (F) – initially, Emily comes across as ditsy and flat in comparison to the other characters. However she is troubled with anorexia and has some of the funniest dialogue in the play. A skilled comic actress with good emotional depth is needed.

Jack (M) – Jack is very much the middle man of the play. He is sarcastic and witty whilst also having clear moral standards and eventually attempts to take action against William and Eva. Needs a solid actor with good comic timing.

 

Disco Pigs

Pig (M) – Pig, real name Darren, is a deeply disturbing character. He has a clear love for runt that isn’t returned by Runt, which eventually drives him into a frustrated rage. A very demanding role that needs a highly talented actor with vast emotional depth.

Runt (F) – Runt, real name Sinéad, is a more level headed character than Pig but still a complex one. She is just starting to become more sexually aware of herself and slowly finds the intense nature of her friendship with pig too much. Needs a highly skilled actress.

No preparation is needed for the audition, just turn up and give it your best! For more information, contact Robert Walsh on the following

E-mail – This email address is being protected from spambots. You need JavaScript enabled to view it.

Mobile – 07969 164210

 

CADOS Present:

The Elves And The Shoemaker AUDITION

Main Cast Audition: Sunday 14th September - 11am

Dance/Chorus Audition: Sunday 21st September - 11am

Performance dates: Friday 12th - Saturday 20th December 2014

Written & Directed by PAUL CARR

Main Cast Auditions

Auditions will take place in two stages – main cast auditions will be held on Sunday 14th September from 11am onwards. These will take the form of audition readings from an excerpt of script, reading against the production team and/or other auditionees. Please take note of the age ranges of the characters and their genders! You do not necessarily have to fall within the playing ages (for example a 17 year old could pass as 18) but if you do not look as if you might be within those ranges then you are not going to get the part!

Singing auditions

Some of the characters below are identified as requiring a singing audition – these parts have got musical numbers in the show and can only be given to people who we know can carry a solo musical number. The characters marked as ‘Not essential’ may have musical numbers in the show depending on who has been cast, but could get away without if someone auditions who is not a great singer but has all the other qualities we are looking for. Anyone auditioning for one of these ‘Not essential’ roles may have a singing audition if they would like their character to be included in musical numbers.

People having singing auditions should bring a song of their choice with a backing track to sing to. Please do NOT bring an original artist track with vocals as we want to hear YOU and not them! If you do not have any backing tracks then you can find them at www.karaoke-version.co.uk or www.ameritz.co.uk amongst other sites such as amazon or iTunes. You should bring the backing track in MP3 format on a CD or USB drive, or loaded on an MP3 player (that has been charged!)

Chorus Auditions

The chorus is in essence a dance chorus, though the junior chorus also need to be good actors as they play the remainder of the Elves alongside Flip and Flop. Auditions for the chorus will be a week later on Sunday 21st September from 11am. These will consist of dance auditions choreographed on the day, and small reading auditions in pairs for anyone auditioning for junior chorus. Singing auditions are not necessary for the chorus roles, but if you would like to prepare a singing audition for us then you are welcome to do so and this may influence our decision in the event of a large number of auditionees. Anyone aged 16 or under must be accompanied by an adult who is able to stay for the duration of the audition, which will potentially last for a number of hours.

GOLDEN RULES FOR AUDITIONS!

 

  • DO read the character descriptions and be realistic about if you are right for the part to avoid disappointment!
  • DON’T do a half-hearted audition or just read the part – we want to see characters who are interesting and engaging, and the sort of characters we would want to spend 3 hours watching!
  • DO make sure you have learnt your song if you are doing a singing audition
  • DON’T be nervous – you’re only acting to two or three people and if you make a mistake it doesn’t matter – we’re looking to see if you could play these roles after a few months rehearsals and not that night!
  • DO use your reading time before the audition to plan how you are going to deliver the lines and read it out loud with other people going for roles
  • DON’T assume that you have it ‘in the bag’ and so don’t bother putting much into your audition – we want to see your performance
  • DO choose a song that shows off your vocal range and lets you really sell the song – if you can sing high or low, have a good belt or a great pop voice then pick a song that lets us know about it!
  • DON’T just stand there – move around the stage and use your body language and gestures to sell your performance
  • DO have a go! If you fancy trying out then don’t assume that everyone will be better than you – it might be that you are just the person we are looking for!

 

If you have any questions about auditions then please contact me on This email address is being protected from spambots. You need JavaScript enabled to view it., send me a message through Facebook, or come and ask me directly if you are down for Talking Heads.

We hope that we see you there (oh yes we do!)

CHARACTERS

FAIRY CONVERSE (F) The good fairy and Prada’s (probably younger) sister – lots of audience interaction and a good scope for playing in a variety of different styles from smart and streetwise, traditional ‘good fairy’, or a bit bumbling or clumsy to suit the character of the actress. AGE 18+ Singing Audition? Not essential (but highly preferred!)

RALPH (M/F) The lead male character in the show – but could either be a male or a female playing as a principal boy. The young shoemaker who has become a victim of his own success and struggling to keep up with his rent. Has a secret crush on Anna. AGE 18-35 Singing Audition? Yes

BARON (M) Ralph’s landlord – not inherently evil but driven by money and will ruthlessly kick Ralph out onto the street if he is unable to pay up. AGE 25+ Singing Audition? No

ANNA (F) Ralph’s assistant in the shop and leading female role. Very loyal to Ralph and insists that he keep going against the odds. Needs to be convincingly similar age to both the Prince and Ralph. Preferably a trained (or very competent) dancer who can dance a number of different styles to a reasonably high standard, and a good singing voice preferred. AGE 18-35 Singing Audition? Yes

DAME GUCCI (M) A typical pantomime dame – she is the Old Woman who lives in a show and has so many children (the Elves) that she doesn’t know what to do. Lots of comedy business and needs a good on stage presence. Singing required but need not be terrifically in-tune if necessary! AGE 45+ Singing Audition? Yes

FLIP AND FLOP (M/F) Comedy duo – the eldest of the Elves and carry the majority of the comical and slapstick elements of the show. Must work well together and be able to ‘bounce’ off each other with good audience interaction and over-the-top characterisation. AGE 20-40 Singing Audition? Not essential

PRADA (F) The evil witch who has been stripped of her powers and is out for revenge. Fairy Converse’s (probably older) sister. AGE 25+ Singing Audition? Yes

PRINCE BRANTANO (M) Traditional pantomime prince. Well spoken, slightly conceited and falls for Anna – therefore needs to be convincingly similar age to both Anna and Ralph. AGE 18-35 Singing Audition? Not essential

PRINCE'S AIDE (M/F) Either a Chamberlain character or a Dandini best friend type (will be re-written – and named - to suit based on actor cast) Could be male or female. AGE Any. Singing Audition? No

CHORUS PARTS

THE ELVES (M/F) Junior chorus x 6 – a range of ages from 7 upwards. Good dance ability required as well as projection, stage presence and personality. Singing ability also highly preferred. Take part in a number of production numbers as well as small speaking parts during Elf scenes. AGE 7-18+ Singing Audition? No

TOWNSFOLK (M/F) Older chorus x 6 – need to pass as adults in the village and ballroom scenes. Essentially a dance chorus so a good ability across a range of styles of dance required. Singing ability ideal but not essential, though will be background vocalists in some musical numbers. AGE 14+ Singing Audition? No

Audition Notice – The Little Shop of Horrors

Lyrics by Howard Ashman, Music by Alan Menken
Directed by Paul Carr

Musical Director Wayne Oakes
Choreographer Hannah Liddle
Producers Ian Robinson & Andy Burke

Production Dates: Monday 23rd – Saturday 28th June, 7.30pm plus Saturday matinee

Auditions: Sunday 2nd March 11am at Chorley Little Theatre

 

The Show

In Skid Row, New York, a killer plant from outer space lands in a rundown flower shop and befriends shop worker Seymour. He names the plant after the girl he loves but soon “Audrey II” grows into an ill-tempered carnivore craving blood and Seymour finds he has to satisfy the plant’s evil urges.

 

From the writers of The Little Mermaid and Beauty & The Beast, this show is best-known for the 1986 film starring Rick Moranis. The stage version has more songs and a different ending.

 

The Production Team

Paul Carr directed studio musical I Love You, You’re Perfect, Now Change last year, which went on to receive NODA nominations for Best Staging of a Musical, Best Musical as well as winning Best Ensemble Musical Cast. This will be the first main season CADOS musical since 2009 and hopes to build on the success of I Love You… Paul has also overseen many of the Youth Theatre musicals of the last 15 years and wrote and directed the sell-out Santa The Panto in 2012

 

Wayne Oakes has been musical director for numerous shows across the North West and also runs his own piano school as well as being an established and highly in demand pit musician.

Hannah Liddle has worked on a number of CADOS productions including Snow White (2013), I Love You, You’re Perfect, Now Change (2013) and Santa the Panto (2012).

Ian Robinson is Chair of CADOS, directed the pantomimes Robin Hood (2011) and Snow White (2013), and produced Santa The Panto (2012). Andy Burke has been NODA-nominated for his performance of the Dame in CADOS pantos, and also overseen recent Youth Theatre productions.

 

Auditions

Registration at 10.30am, start 11pm. Should finish no later than 4pm. They will incorporate elements of singing, acting and movement. The only real ‘dance’ in the piece is Seymour and Mushniks tango, but there will be choreographed movement elements in a number of the musical sections, especially for Seymour and the Ronnettes. There is no need to prepare a singing audition as you will be taught one of the numbers from the show and then asked to read scripted sections with other auditionees.

 

Rehearsals will commence in mid-March with a couple of read-through sessions, then mostly singing rehearsals early on to get the musical numbers secure. Into April we will start adding blocking and characterisation in the rehearsal space before moving everything into the performance space in May for the run up to the show in June. Rehearsals are likely to be on Monday, Wednesday and Friday evenings up to May, then potentially adding Sunday mornings as well.

The show does not have a ‘chorus’ as such – the Ronnettes are integral to the show throughout, and there are potentially two roles which play Winos, customers and a couple of extra characters (though this could double with Orin). The cast is therefore limited to a maximum of 10 plus puppeteers and all cast must be 17 or older at the time of performance in July. All cast must be strong singers but there is no requirement to read music. Puppeteers do not need to audition but will be required to attend rehearsals and learn Audrey IIs lines so they can sync with the voice.

For further information please feel free to contact me by email on This email address is being protected from spambots. You need JavaScript enabled to view it.

 

Characters

SEYMOUR

Mid twenties and perhaps already balding a little! Our insecure, naive, put-upon, florist’s clerk hero. Above all, he’s a sweet and well-meaning little man. Needs to get the audience to sympathise with his situation despite continual acts of assisting the murderous plant to get it’s fill of blood! Strong singing range required – Low A to High G

 

AUDREY

The bleached-blonde, secret love of Seymour’s life. If you took Judy Holiday, Carol Channing, Marilyn Monroe and Goldie Hawn, removed their education and feelings of self-worth, dressed them in spiked heels and a low-cut black dress, and then shook them all up in a test tube to extract what's sweetest and most vulnerable-that'd be Audrey. We are not necessarily looking for a carbon copy of the Ellen Greene character of the film but someone that can bring their own interpretation to the role. Strong singing range required - Low A to High D

 

MR MUSHNIK

Their boss. A failure of an East Side florist. His accent, if he has one, is more that of middle class New York than of Eastern Europe. He seldom smiles but often sweats! Has a tango number with Seymour, and some singing required in range Low G to High E flat - as well as strong character acting.

 

ORIN

A smooth, confident dentist with a black leather jacket and sadistic tendencies. He is NOT, however, a leftover from the movie version of GREASE. Think instead of an egotistical pretty-boy — all got up like a greaser but thinking like an insurance salesman and talking like a radio announcer. May also double for some character parts. Singing range - Low G to High E, though most of the song required could be ‘performed’ rather than sung if necessary.

 

THE PLANT (AUDREY II)

An anthropomorphic cross between a Venus flytrap and an avocado. It has a huge, nasty-looking pod which gains a shark-like aspect when open and snapping at food. The creature is played by a series of four increasingly large puppets, manipulated by one or two Puppeteers. The first time we see The Plant, it is less than one foot tall. The last time we see it, it fills the entire stage.

 

 

Puppeteers may also play some walk on parts in act 1, though would not be required to sing. They do however need to learn the dialogue and songs for Audrey II (provided by a separate vocal artist) so that their operation ties in with the vocal performance. The plant operation can be quite physically demanding as well as hot and claustrophobic at times so a good level of mobility and some stamina is essential!

VOICE OF THE PLANT

Provided by an actor on an offstage microphone, who as an unseen performer needs a good control of their vocal dynamic and using their voice to portray emotion and intent. The sound is a cross between Otis Redding, Barry White, and Wolfman Jack. Think of The Voice as that of a street-smart, funky, conniving villain — Rhythm and Blues’ answer to Richard the Third. Strong singing range required - Low G to High F.

 

CRYSTAL, RONNETTE AND CHIFFON

Three female street urchins who function as participants in the action and a Greek Chorus outside it. They’re young, hip, smart and the only people in the whole cast who REALLY know what’s going on. In their “Greek Chorus” capacity, they occasionally sing to the audience directly. And when they do, it's often with a "secret-smile" that says: "we know something you don't know." Would ideally suit singers who are used to singing in quite tight harmonies, but this is not essential and could be taught. Singing range - Low G to High F